We all realize that just because something cannot be seen does not mean
it does not exist. Thoughts are an example of such things. Many
of the nuances in the photographs of Iris Spellings were not perceptible
to the human eye before they appeared in the photograph. A student
of the Ageless Wisdom from an early age, she takes photographs to reveal
and illustrate these unseen realities. The images become a record
of a particular moment projected and illumined by a combination of energies,
and documented on film.
Not concerned with the personality, as in the traditional sense of portraiture,
she seeks to go beyond it and illumine that which is within, that which
humanity shares and has in common—the heart, soul, or essence of
the human being and its qualities.
Spellings does not visualize a particular image and try to illustrate
it. Rather, her work involves a process not unlike meditation where
she is open to impression and seeks to work as a vehicle for, and cooperatively
with, the hierarchical and devic kingdoms. She says that the most successful
images occur when the combined energies—hers, and of those working
with her in that particular focused moment—are allowed to unobstructedly
manifest onto the film. She adds that it can be a surprise upon seeing
the developed photograph, as it often takes time to recognize the image
for what it is, instead of what was anticipated based upon her mental impressions.
Spellings received a BFA from John Herron School of Art, Indiana University,
Indianapolis, Indiana in painting and sculpture. Her early work incorporated
photography and eventually evolved to where the process reversed—where
the photograph incorporated painting and sculpture. Having moved
to New York City in 1980, she began working with Polaroid film because
of it’s unique color palate and became one of the few artists to
receive grants from the Polaroid Corporation to experiment with new films
and to use their large 20” x 24” camera. Her work has
been exhibited around the world and is in numerous public and private collections,
including the Bibliotheque Nationale in Paris and the Brooklyn Museum of
Art in New York. She currently lives and works in New York City.
These photographs, which have evolved over the years, symbolize that time
period when we drift between sleep and awake and when we penetrate deeper
planes of consciousness. All of the photographs are unique single-exposure
Polaroid photographs and not manipulated in any way after the exposure.